Ranked Worst to Best: Bullet for My Valentine

 

At the moment I have quite a big list of bands I want to focus on with these worst to best posts, but Bullet For My Valentine jumped up to the top because they've been a band I've wanted to talk about for a while as they're a bit of a curiosity to me. Back in high school around 2009 and 2010 they were one of the most popular bands for my group of friends of growing metalheads and the band seemed like they were set to be the next big thing and future festival headliners but they've kind of faded into obscurity in recent years and aren't the powerhouses they once were. 

For anyone not familiar with the band, they are a Welsh metalcore band formed back in 1998 and have since released only 6 studio albums with their first released in 2005 and their last released in 2018. I'll be going through each one to rank from worst to best and give my thoughts on each release along with 3 track recommendations. Maybe through this I'll see what went wrong in recent years. 

I should say, I don't think I'm going to be doing new album reviews any time soon as I want to focus on this kind of post for now whilst I'm having fun with it but they make come back at another point. For February I'd recommend The Ruins of Beverast, The Pretty Reckless, and Architects. Anyway, lets get on with the list. 

6. Temper Temper (2013)

Bet you thought you thought "Gravity" was going to start this list off. Don't worry we'll get there eventually. This is an album I've listened to multiple times because I always feel like I'm missing something from the record and one day it'll just click and I'll suddenly understand it but I never have as this was just a tremendous disappointment at the time of release and even going back now 8 years later. 

Don't get me wrong it's not a terrible album by any means as I have heard worse but it's quite telling when even the top 3 tracks off this album don't really come close to their highlights from from the past and the whole album comes across like the B-Sides from "Fever" that weren't quite good enough to make the main album. It's pretty mediocre overall with nothing that could really be called bad outside of the terrible idea to do a sequel to one of their biggest hits with "Tears Don't Fall (Part 2)" which really doesn't work. Every time I listen to it I think I'm gonna find something to like but I just end up cringing at them trying to bank on the nostalgia of their older track. "Unforgiven 2" this is not. 

I do wish it had a better opening track as well as all the previous album openers are absolute belters but "Breaking Point" is as generic as it gets for a metalcore track. I don't want to be too negative though as there are a few shining moments like where they stick more to the formula that works with ripping riffs and catchy choruses that stick in your head for a while afterwards but sadly they're few and far between like with "Truth Hurts" which is pretty much a spiritual successor to "Your Betrayal", the title track which is probably the best on the album with it's stomper of a chorus, and the short but sweet "Riot". I'll also give a shoutout to "P.O.W" which is a good example of the more melodic tracks that Bullet appeared to have mastered years earlier even if it does sound very similar to "All These Things Revolve Around"

Thankfully the album isn't too long but even at just 44 minutes it can drag a bit. The whole album does come off as a disappointment after 3 huge records making the band seem like they were unstoppable but this really was a roadblock on their path to the top and there would still have another roadblock to pass.....

Overall rating: 5/10

Top 3 tracks: Truth Hurts, Temper Temper, P.O.W

Worst track: Tears Don't Fall (Part 2)

5. Gravity (2018)

Now I believe this is the album that a lot of the band's fans would mark as their lowest point due to it being the least "metal" album they've ever released but I don't hate it myself and whilst it's not really an album I can totally recommend to anyone, it still has a few bright spots worth mentioning because unlike "Temper Temper" they at least tried something new.

So what happened here is the band experimented with a newer sound where they stripped back the metalcore and thrash and went the route of bands like Linkin Park and Bring Me The Horizon of going down a much more melodic route to make their music more accessible and it just didn't work out for them as they alienated long time fans and didn't really make many more new ones along way and since this album's release the band have been pretty quiet which is worrying. 

It still has some heavy tracks worth checking out I think, including the first proper single "Over It" which still holds up with a nice main riff and catchy chorus you would expect from the band at this point. There's also "Don't Need You" which seems like a cheat since it was released as it's own single 2 years before this album even came out but it's part of the official tracklist so it counts and in that case it's easily the best thing on here and a big crowd pleaser that'll stay as part of their setlists for a long while. I also really do enjoy the final track "Breathe Underwater" which is I think is the only totally acoustic track the band have ever released and sounds like a breath of fresh air after a pretty standard fare of an album. 

I can see why people would be totally turned off by tracks like "Letting You Go" or "The Very Last Time" that are very poppy in their formula but I dig it. Hey I'm a Bring Me The Horizon fan in 2021 I'm pretty much used to big changes at this point. Where it fails for me is just the forgettable nature of a fair few tracks that feel like they're here just for a test run of the band's new sound and don't really add much and there's a lack of true highlight tracks that feel unmissable. It's fine but with a bit more thought it could have been something that turned a corner for the band and gave them more creative freedom but after it pretty much misfired I'm thinking that they'll be forced to go back to their original sound to win some fans back which is a shame because I like bands branching out to something different if it works for them. 

Overall rating: 6/10

Top 3 Tracks: Over It, Don't Need You, Breathe Underwater

Worst track: Gravity

4. The Poison (2005)

Bet you thought this would be at the top spot. Yeah I might get some hate for this but I'm looking at the discography from an overall presentation standpoint and this does have flaws I'm sad to say. 

Don't get me wrong, this is a great album in my book and an album that did expand my musical taste back in high school when I started to discover more bands that were heavy in nature and I can't thank it enough for that. It runs into similar issues I have with Slipknot's highly regarded self-titled debut (that I'm sure I'll get into another time) in that it has a ton of brilliant, iconic tracks, but it's still filled to the brim with unneeded extras that stop it from reaching perfection. 

The first half of this album is tremendous, filled with tracks that still hit like a freight train. The opening sets the tone perfecting with an orchestral intro by Apocalyptica leading right into the vicious "Her Voice Resides" with Matt Tuck screaming "No!" at the top of his lungs to great effect. I don't think that anyone could argue that "Tears Don't Fall" isn't the definitive BFMV track and is still easily the best on the album and best example of Bullet's mixture of slower, melodic sections with thrashing madness to create an iconic track of it's generation. 

Elsewhere, "4 Words (To Choke Upon)" and "Suffocating Under Words of Sorrow" bring the fire as massive sing along tracks that are still played live regularly and for good reason. Another highlight for me is the biggest ballad on the album "All These Things I Hate" that starts off with an acoustic guitar before blasting into another huge chorus that you just feel the need to join in with it's that good. 

For me though this is pretty much where the highlights end as the second half of the album really lets the side down as outside of "Cries in Vain" it's all pretty forgettable and ends making the end of the album feel like a slog with a few skippable tracks like "Room 409" and "10 Years Today" so it's not quite the masterpiece I remember but is still a very good album worth checking out thanks to its stomping first half. 

Overall rating: 7.5/10

Top 3 tracks: 4 Words (To Choke Upon), Tears Don't Fall, All These Things I Hate

Worst track: 10 Years Today

3. Scream Aim Fire (2008)

I'm sure this placement is gonna make a few people mad as well. 

I'd never really noticed before but in comparing this album to "The Poison" I can now see how very similar they are in terms of the formula as they're laid out in almost the exact same way, only this one does it better but still falls into the pitfalls that it's predecessor tripped into as well. 

The first half of the album is brilliant just like "The Poison" with the title track and "Waking the Demon" bringing the thrashing metalcore goodness to the forefront with 2 of their most iconic tracks that remain part of the live setlist, and "Hearts Burst Into Fire" shows that great melodic side to the band with a heavy ballad that still hits my previously emo heart to this day. There's also the underrated tracks like "Eye of the Storm" and "Disappear" that are definitely worth another look all these years later. 

Again though, it's just the second half that lets the side down a bit although not as badly as the last album with only a couple of filler tracks, but the track that I really don't like at all is the final track "Forever and Always". Bullet have been so good with their big melodic stadium-sized anthems but this track just comes across as cheesy and just drags on for way too long to end the album on a pretty bum note. 

Still though, this is an improvement over the debut and a good sign of things to come for the apparent future of heavy metal. 

Overall rating: 8/10

Top 3 tracks: Scream Aim Fire, Waking the Demon, Hearts Burst Into Fire

Worst track: Forever and Always

2. Venom (2015)

Trust me I'm just as surprised to see this here as you are, as before I began working on this list I assumed this would be towards the bottom but it had been years since I listened to it all the way through, and after multiple listens since, I can safely say this is one of Bullet's best and most consistent albums they've ever released and I genuinely considered it for the top spot on this list. 

The pressure was on BFMV at the time as they'd just lost bassist Jason James who was replaced by Jamie Mathias, plus the band still had to follow up their most disappointing release and I think they knocked it out of the park. 

Album opener "No Way Out" kicks things off in huge fashion with a track that's just a ball of pure thrash energy that has my adrenaline going every time it comes on and is better than anything found on "Temper Temper". "Army of Noise" follows with another thrashy track that Testament would be proud of, followed by "Worthless" that is smart to go down the more melodic route after those 2 tracks. 

"You Want a Battle" is still an absolute mammoth of a stadium track that is worth going out of your way to hear live, trust me. "Broken" comes out of nowhere as a hidden gem that hits hard for 3 short but sweet minutes as well. 

Really this is just such a well paced album and they were right to finally go with a shorter album time of around 41 minutes so not a second feels wasted and even the second half has something to offer with big tracks like "Skin" and "Hell or High Water" bringing the big choruses and solos you want from Bullet and ballads like "Venom" keep things from feeling too samey. Just a great album through and through and one that really surprised me. If only the band could have stuck to this path. 

Overall rating: 8.5/10

Top 3 Tracks: No Way Out, You Want a Battle, Army of Noise

Worst track: The Harder the Heart (closest it comes to filler but still good)

1. Fever (2010)

Yeah this was always going to be number 1 for me. It's been my favourite Bullet album since it was first released and even after multiple listens of each release leading up to this list, this was still the one I looked forward to going all the way through with again and again and now I just really want this album to be cheap on vinyl so I can have it. 

It's very comparable to "Venom" in terms of its formula as it is so well paced with a nice mix of different tracks to keep the flow going, I just think it's done a lot better here since this is for a 49 minute album that feels so quick and does not drag at all. 

In terms of track highlights there are so many to go through with "Your Betrayal" setting the tone as their best opening track ever and almost steals the whole album itself with some groovy verses and yet another massive chorus which is then followed by the thrashy title track which I do enjoy a lot but it's hilarious hearing Matt Tuck trying to sound sexy with the line "Come here you naughty girl". Slightly cringe but it gives me a giggle. "The Last Fight" was the first single from the album and is still probably my favourite Bullet track with a burst of adrenaline of thashy metalcore that they do so well and better than most others as this remains in my regular playlist to this day. 

In terms of ballads we have "A Place Where You Belong" and "Bittersweet Memories" that easily hit the expectations set by their predecessors and then some with both quite underrated in my mind. The heavier tracks are rounded out with "Begging For Mercy" and "Alone" with the 2 of them being the heaviest the band have ever released whilst still managing to sound like stadium anthems in their own right. 

Really there isn't really any filler here as even the smaller, often more forgotten tracks like "Pleasure and Pain" and "Dignity" still coming across as big hitters in an album full of them. To me, Bullet have never been better than this album and I doubt they'll ever surpass it but goddamn I hope they try. 

Overall rating: 9/10

Top 3 Tracks: Your Betrayal, The Last Fight, Begging For Mercy 

Worst track: Genuinely can't pick one

Well there's my list. I hope you enjoyed. In terms of Bullet I do think they have a chance of making it back up to their high spot on metal ladder, but it really depends on their next album and the direction they go so here's hoping they hit it out of the park when they do. 

So what will my next list be on? You'll have to crucify me to find out. 

Ranked Worst to Best: Metallica

 

Going for something a little different this time as I didn't want to stick with just talking about new music and intend to revisit some major albums and bands from the past and present as I rank their studio album output from worst to best. I thought I'd take it easy to start with and go with a band that doesn't need any introduction: the mighty Metallica. 

Their career has spanned almost 40 years as of this writing and they've only become bigger and bigger as time has gone on for better or for worse depending on your opinion. I know these guys are a love or hate band for most but they are the band that essentially brought me up on the world of metal and for that I'll be forever thankful. I'll never forget being blown away the first time 'For Whom the Bell Tolls" hit my ear drums and changed my perception of heavier music.

I don't usually do ratings for albums but in this case it helps with ranking so I thought I'd give what were my overall ratings as well as my general opinion of each album along with my top three tracks from each. 

Again this is just studio albums so albums like Garage Inc and S&M won't be included. Lulu will also not be included as I've never listened to it and never plan to. Let's get on with it and I'm sure you've already guessed what our first one is. 

10. St Anger (2003)

I know this is an easy target but I really couldn't put anything else before it. I do want to say that I don't hate or dislike this album at all, but it is easily the hardest of their albums to get through all the way through. I'm not even going into the snare drum issue because it's been done to death and everyone knows it sucks. It doesn't help that I've seen the documentary "Some Kind of Monster" where we see the band members (outside of the awesome Kirk Hammett) acting like spoiled brats and it really doesn't help the overall image and adds to the feeling that this is just the band throwing shit at the wall to see what sticks.

The biggest issue for me (as will be a running theme throughout these) is that the overall package is way too long. A mediocre album is one thing but a mediocre album that lasts 75 minutes in length is just too much. The album does start strong at least with it's two best tracks in the opening fury of 'Frantic' and the title track which was pretty much the thrashiest thing the band had put out since The Black Album but's all downhill from there. 

I know this has been mentioned a ton as well but why the hell were there no guitar solos? I'm not saying you need solos to be considered a great metal band, but Metallica are know for their epic solos and there are some repetitive tracks in here like the average sounding "Dirty Window" that could have used one to take it to another level, or the 8 minute tracks that really need them because they really shouldn't be that long. 

As for the 8 minute tracks there are three of them and only one is worth listening to in the pretty good but still a tad too long closer "All Within My Hands" as it's grown on me with it being performed rather elegantly on the recent "S&M2" release whilst the original isn't quite as good, it still has it's moments. "Invisible Kid" on the other hand is one of the worst and most boring tracks the band have ever came up with and "Some Kind of Monster" starts brilliantly but halfway through just turns into a farce, making me wish it was only 4 minutes long instead of 8. 

It can't be all negative though as, like I said earlier, the first two tracks are great in my opinion, and there are a few hidden gems with some of the shorter tracks like "My World", "Sweet Amber", and "Purify" that are all decent thrashers in their own right. "The Unnamed Feeling" seems to get a bit of love nowadays but I'm not too big on it outside of a good chorus. 

Not a terrible album by any means but I still can't recommend it and it's easily the worst the band have put out to this point. 

Overall Rating: 5/10

Top three tracks: Frantic, St Anger, Sweet Amber

9. Reload (1997)

I've always wondered if this should count as an official studio album as the band have always stated that this was essentially the B-Sides from "Load" but everyone else counts it as an album so I may as well. Plus if this is just the B-Sides then they did a damn good job on them. 

I do consider this a good album so it might seem like it's too low on this list but the one's after it just have more to offer and this is another that suffers from the album being too long as this one goes for 76 minutes and whilst it does technically offer more than "St Anger" it can still drag on especially towards the end with some of the least memorable tracks on offer. 

The first half of the album is where it shines though, with multiple big hits like the opener of "Fuel" which is still one of the most energetic and blood pumping tracks the band has ever put out and the surprisingly good sequel that is "The Unforgiven II" and whilst it's not as good as the original it's still a good track in it's own right with a killer chorus that sounds like it should be played live more often.

I know "The Memory Remains" is a favourite on here but I've never been the biggest fan of the studio version and have only been able to listen to the much superior live versions that feel full of energy and crowd participation whereas the studio version has always been a bit dry to me. 

I do love "Devil's Dance" and feel like it's one of Metallica's most underrated tracks of all time as it has such an addictive beat to it that you can't help but have it in your head all day. There are some other fun rockers like "Slither" which always sounded eerily similar to "Enter Sandman" to me with it's main riff, and the atmospheric "Where the Wild Things Are" that's almost the sleeper hit of the album. 

The album is let down by some forgettable tracks like the long and uninteresting "Low Man's Lyric" or the cringy "Attitude" but it's saved a little by the final track "Fixxxer" which aims to be as big as "Bleeding Me" or "Outlaw Torn" that just falls a little short of those ones but still manages to be a fun, epic track in it's own right.

This is a good release that just falls short of being a truly great one. 

Overall rating: 6/10

Top three tracks: Fuel, The Unforgiven II, Devil's Dance

8. Death Magnetic (2008)

I kind of surprised myself with how low this ended up on the list but after going over each album it was clear that this was pretty much the best placement for this album as it's not their best but not their worst either, plus I had a pretty tough tough time choosing between this and number 7 for this spot so it could have went either way. 

After the rough time the band had with "St Anger" this was pretty much the shot in the arm they needed as they essentially went back to their roots with the thrash on display whilst still keeping to their bag of tricks from the 90s to spice up some tracks. Whilst this may not have been an album of the year contender it is still a damn solid release with some great tracks that were instant crowd pleasers at the time. 

Really the only issues I have with the album are the (of course) length as it's a pretty meaty release at 74 minutes as it does start to drag a bit as we reach the last 20 minutes, and the production still hasn't aged well even 12 years later as it's totally overproduced and can come to the edge of sounding almost distorted at times, but it isn't enough to ruin the album finally. Of course with the band essentially trying to go back to their roots it means that whilst most of the tracks are good, some of them sound very similar to older tracks and so it doesn't really feel like they're breaking new ground. This is especially apparent with the track "The Day That Never Comes" and whilst this is a good track it sticks to the formula of their track "One" so much that it could be a copy. I still like it though. 

There are some tracks on here that should have been cut way down though like the 8 minute "The Judas Kiss" which isn't bad but does feel like a filler track and drags way on, and the 10 minute instrumental "Suicide & Redemption" which I do like more than others but it should have been 5 minutes shorter at least and could have done without trying to sound too much like "Orion". 

I've been moaning way too much already as there are a ton of positives in here too with a few tracks that could be considered new Metallica classics like opening thrasher "That Was Just Your Life" that feels like a welcome back to fans of the past for one of the most adrenaline pumping songs they've ever put out, and album highlight "All Nightmare Long" which might just be the heaviest track the band has ever put out and is just 8 minutes of pounding fury and glorious solos galore. We also have the ending to the Unforgiven trilogy with "Unforgiven III", and I'm not gonna lie, this is probably my favourite out of all 3 tracks. The piano intro leading into a nice throwback to the original is great and the solo with James screaming "Forgive Me" before it just gives me chills everytime. The album does end on a high note with the shortest track on here in "My Apocalypse" which is a thrash throwback to tracks like "Battery" and "Damage Inc" whilst creating it's own identity. 

Overall rating: 7/10

Top three tracks: That Was Just Your Life, All Nightmare Long, The Unforgiven III

7. Load (1996)

"Load" and "Reload" essentially have the exact same issues with both of them having a good few album highlights but too much filler to pad out a frustratingly long runtime. So why did "Load" get a much higher place than "Reload"? Because there's much less filler and the highlights are way better. 

Let's get the filler out of the way first. We didn't really need "Poor Twisted Me", "Thorn Within", or "Ronnie" did we? It didn't help that these come right at the end of the album and just make the whole ending feel like a drag. 

Right, now for the good stuff. This album might be Metallica's most varied album ever and I love it. It's gotten a lot of hate given that it came out after the "Black Album" and is really more of a hard rock album than a metal album meaning that a lot of the tracks on here are underrated gems. Even the first couple of tracks with the dumb but fun "Ain't My Bitch" kicking things off and the brilliantly groovy "2x4" which deserves so much more attention. 

Of course you have the big singles as well with the gothic "Until It Sleeps", the almost-ballad "Hero of the Day" and the almost-Sandman "King Nothing" all bringing the goods, but where this album really shines is with it's epic tracks as they are two of the most underrated tracks the band has ever released with "Bleeding Me" ending the first half of the album on a high note with a gorgeous track that starts soft and just builds and builds to huge finish as it becomes heavier and heavier as it goes on. It's part ballad and part rock opera and just works amazingly well. "The Outlaw Torn" is the album's closing track and another belter with no second of it's 10 minute runtime being wasted. Weirdly enough the "S&M2" version of this track was my most listened to track of 2020 so that tells you all you need to know. Brilliant stuff.

Overall rating: 7.5/10

Top three tracks: Bleeding Me, The Outlaw Torn, Until It Sleeps

6. Hardwired...To Self Destruct (2016)

Not sure if this is considered a controversial pick or not, but fuck it, I love this album and continue to love it more and more with each listen as it has so much to offer. It may be one of their longer albums even by their standards, but out of all them this is the easiest one to get through by far and has some of the best tracks the band have put out in years. Kind of hard to believe this one is turning 5 years old this year. 

So to get the filler out of the way, there isn't really much as the only true filler track to me is "Am I Savage?" which isn't really a bad track but I just find it a bit too slow and plodding for my test and it's chorus just feels uninspired. There's also "Murder One" which doesn't have much going on but it is a nice tribute the the late Lemmy so it gets a pass from me for that reason. 

Other than that this album is just filled with tracks that will be considered Metallica classics in the future like the brilliant "Moth Into Flame" which was inspired by Amy Winehouse and the dangers that fame and fortune can bring with a stomping track that will most likely be on all future setlists with it's catchy as hell chorus and great solos. There's also the epic "Halo on Fire" which just seems to build and build before the last 2 minutes unleashes a barrage of face melting solos and great vocals from James as the band just goes mental and it's brilliant. The band also brought back the mighty Cthulhu for "Dream No More" which honours his legendary mythos with one heavy as hell track.

There are quite a few underrated tracks on here as well with the main culprits being "Confusion", "Here Comes Revenge", and "ManUNkind" but I'd say these are definitely worth checking out again. The "S&M2" version of "Confusion" really made me realise just how good it was and hearing "Here Comes Revenge" live in person really made me appreciate it's epic main riff all the more. In "ManUNkind"s case, it's a fun track that also has a music video that shows black metal heavyweights 'Mayhem' playing the track as part of the Lords of Chaos movie so how can you not love that?

The cream of the crop here though is "Spit Out The Bone" which is easily the best track the band have released in years and maybe even decades. Yes it's that good. I've had it on my playlist pretty much non-stop since it came out. A brilliant thrashing track that just never let's up for 7 minutes as it details the doom of mankind being taken over by machines in a Terminator scenario. 

Overall rating: 9/10 

Top three tracks: Moth Into Flame, Halo on Fire, Spit Out The Bone

5. ...And Justice For All (1988)

Ok, now this placement may cause a bit of controversy. Whilst I do love this album, I do not place it quite as high as the top 4. Save your pitchforks and angry mobs for the end please. Of course it is hard to be too critical of the band at this point as well given that this was their first without bassist Cliff Burton who tragically passed away in a crash only two years previously in 1986 and I do think he was a huge part of writing their first 3 legendary albums and the band may have still been in the grieving process though. 

Speaking of bassists, enter Jason Newsted of 'Flotsam and Jetsam' fame and you have to feel bad for the guy given that the production on the bass work is so bad on this album that you can never really make it out to the point where fans have since released an '...And Justice For Jason' remix version of the album to make the bass stand out. Still though, like the bad production of 'Death Magnetic' it's not enough to completely derail the album but it is noticeable and it is a negative. 

Other than that there's not too much to be critical of as it is a hell of a tracklist on offer. The only track I'm not big on is "The Eye of the Beholder" which just comes across a bit dull outside of a decent riff but it is sandwiched between two of the best tracks on the album so at least it feels like more of a break than anything else. Whilst I do enjoy "To Live is To Die" as it's a lovely tribute to Cliff, I do feel that it does go on a bit too long at nearly 10 minutes and it's the weakest Metallica instrumental up to this point and ione I tend to skip when listening to the full album. 

Everything else ranges from very good to all time great. Of course the best track on here is the epic horror war story of "One" which has remained a classic over 30 years later for good reason with it starting off like a ballad in the vein of "Fade to Black" before morphing into a huge thrashing monster as it nears its end. Huge props to the opener "Blackened" as well as this was the first Metallica album opener that wasn't a straight forward thrash all the way through track as it does start off that way but slows down midway through with some chugging riffs and elegant solos before going back to a furious pace again. 

Really it's hard to go wrong with an album that includes great thrashers like "Dyers Eve" and the forever underrated "The Frayed Ends of Sanity". The title track as well is just fantastic and doesn't waste a second of it's near 10 minute runtime. This could be a perfect album if not for a few minor issues but I'll still take it as it is. 

Overall rating: 9/10

Top three tracks: Blackened, ...And Justice For All, One 

4. Metallica (The Black Album) (1991) 

Man, I'm gonna get a lot of shit for putting this ahead of Justice aren't I? To be fair I do consider them to be pretty much on par with each other although I do have a lot more fun with this album.

It's a bit of a controversial one with Metallica and thrash fans in general as some love it for just for it's overall quality, but others hate it for not being a proper thrash album and Metallica's first real departure from thrash that led to their hard rock style that would take over during the rest of the 90s. 

Of course I'm one of the ones that loves this album, I mean I grew up with it for gods sake. And that tracklist is just unbelievable good. "Enter Sandman", "Sad But True", "The Unforgiven", "Nothing Else Matters", "Wherever I May Roam" just to name a few? Sublime. "Nothing Else Matters" gets the most flack for being a big ballad but my god that guitar solo is something else and still gives me chills. Yes "Enter Sandman" is overplayed to hell but you can't deny it's impact on the metal scene and on music in general as it's forever been a gateway track for new fans into the metal genre. And you're lying if you say you don't still sing along to it every time its on. 

Other than that there are a good few underrated tracks on here as well with "The God That Failed" detailing the horrific religious upbringing of James and is probably the heaviest track on here. There's also "My Friend of Misery" where Jason finally has a chance to show off his bass skills with a track eerie in nature but is pulled off beautifully. 

Really I can't think of anything negative to say other than there maybe being one too many tracks overall but there's nothing I could really cut without feeling a bit of pain inside. 

Overall rating: 9.5/10

Top three tracks: Enter Sandman, Nothing Else Matters, The God That Failed

3. Kill 'Em All (1983)

These short reviews are about to get a lot shorted as from this point on I really don't have anything negative to say at all. 

This is the debut album and you can't really ask for a better debut from a band. Have there ever been any as good as this one? Only Iron Maiden's self titled release comes to mind. This is easily the band at their rawest and most energetic and it turns out a record of absolute power. It really shouldn't work as the whole thing is basically just raging thrash tracks for over 50 minutes but it just works as even in the very early days of the band their songwriting was just spectacular. 

There is only one real moment where the thrash turns off for a bit and that's with the Cliff Burton led instrumental track (Anesthesia) - Pulling Teeth that starts off with a great bass solo before Lars comes in and takes it to the next level. Everything else just fires off on all cylinders from the rifftastic opener that is "Hit the Lights" to the mesmerising melodies of "Phantom Lord", to the stadium filling, sing along gem that is "Seek and Destroy" there's really no going wrong here. 

Overall rating: 10/10

Top three tracks: Phantom Lord, Seek and Destroy, Hit the Lights

2. Ride the Lightning (1984)

You have no idea how difficult it is to choose between the top 2 albums and depending on what day you ask me, I might just changed my mind. These albums are like kids to me leading to a very metal version of Sophie's Choice, but one album had to take the second spot after all. 

Again I don't have too much to say on this one as I do not have any criticisms at all as this is pretty much a perfect album all the way through with no bad or filler tracks to speak of and just flows like the calmest river you'll find. 

What's not to love? You have the thrashing madness of opener "Fight Fire With Fire" and the fantastic riffing solos of the title track. "For Whom the Bell Tolls" got me into Metallica in the first place and it still has what may be the intro to any metal track ever made and never fails to get me headbanging along with it.

"Fade to Black" almost caused a bit of backlash with it being the band's first ballad,but they knocked it right out of the park as this may be the best track they've ever released with some hypnotic acoustic guitar work and a chorus that's essentially just an instrumental but works so well. Not to mention that final guitar solo is an absolute face melter. Just perfect. 

You've also got your underrated thrash gems with "Trapped Under Ice" and "Escape". "Creeping Death" is an all time thrash classic and the band have proved this with just how well it works live with a bit of crowd anticipation, and the subject matter of the Pharaohs of Egypt really adds a bit of epicness to the whole thing. And finally it all ends with "Call of Ktulu" which is an 8 minute instrumental which never bores and it's opening guitar picks send chills down my spine. It really makes you feel like you're out in an arctic tundra. So how could you possibly follow this up? I can think of a way....

Overall rating: 10/10

Top three tracks: For Whom the Bell Tolls, Fade to Black, Creeping Death

1. Master of Puppets (1986)

It couldn't really have been anything else could it? Get ready for me to gush all over this like the last one. 

For years this has long been considered possibly the greatest metal album ever released and it's really difficult to argue with that as it's a perfect album for sure. 

I mean the album starts with the thrashing rage of "Battery" and the majesty that is the title track. They could have ended it there and everyone still would have loved it but thankfully it keeps going after that. 

We have another entry in the Cthulhu saga with "The Thing That Should Not Be", a slow atmospheric track that still manages to be heavy with some thick riffs. Another favourite of mine is "Welcome Home (Sanitarium)" which almost sounds like a precursor to one as it has a similar formula with a more melodic opening before descending into madness (pun intended) to finish the track off in brilliant fashion. 

Of course you have the other heavy hitters like the war protesting "Disposable Heroes", the underrated "Leper Messiah" and the vicious ending of "Damage Inc." but for me it's really the instrumental track "Orion" that's the main standout towards the end. Due to the tragic death of Cliff, this song has really become a tribute to him in the years after his passing and it's hard not to get a little emotional whilst listening to it, but the track itself is just gorgeous as it weaves it's way seamlessly through thrashing riffs to cosmic sounding solos and all the way back to thrash again. 

It's Master of Puppets. Of course it's the best. 

Overall rating: 11/10

Top four tracks: Battery, Master of Puppets, Welcome Home (Sanitarium), Orion

Thank you for reading and if you made it all the way through then you're a real trooper. I'm hoping to keep this going with other bands to come in the future and I have a few ideas for my next one in between the new reviews I hope to get down to soon. 

If you want to throw some ideas my way please go ahead and let me know your thoughts on this ranking. 

Cheers!

Ross's January 2021 Roundup Featuring: Asphyx - Necroceros and more

 

A new year and a new chance to recommend some damn good music whilst the world collapses around us all. I'm doing something a bit different this year (for now) and going to focus on doing one main review which will then be followed by shorter recommendations for albums that came out during the month with recommended tracks as well so that way I can throw out some awesome metal without only doing like 2 album reviews in a month. 

At first I was thinking I'd make this a monthly thing but I think every couple of weeks should work better depending on how much music I can get through and find for you guys. The main review will be my favourite choice of the time and today we're going with a big death metal release with Asphyx's 'Necroceros'. What are the other 4 recommended albums? You'll know once I'm done with this review first. 

Anyone into their death metal should know all about Asphyx as they've been plying their trade since 1987 and have released a bunch of killer albums in the years since including 1992's fantastic 'Last One on Earth' which could go up against any of the early records by Death, and even their previous effort with 2016's 'Incoming Death' which definitely set a high bar for this new album as far as modern death metal goes.

'Necroceros' is the band's 10th studio album and this time they've opted almost for a concept album but only really with the title track that details a world eating leviathan coming to swallow the planet and the epic artwork only adds to that sci-fi feel but this is definitely a varied album which can be strange to say for an almost pure death metal band. It gives me major vibes of Incantation's latest release that came out last year as that also combined the pure rage of death metal with the slow pacing of doom metal, although in Asphyx's case I do think that they space these moments out much better than Incantation did and it feels like a more memorable album because of it. 

It almost has a something for everyone kind of vibe without losing that core death sound which is pretty impressive. For those looking for straight up death metal you can go with the opening track "The Sole Cure is Death" which expertly sets up the rest of the album by hitting you with a pure dose of adrenaline sounding like a more aggressive version of Possessed, or you can also go with the shortest and best named track "Botox Implosion" which is as violent and vile as its name suggests and once the world hopefully goes back to normal, I guarantee that this is the track that will have the much missed circle pits going mental. 

There are just a ton of tracks here worth checking out with my favourites also including "Mount Skull" which offers a pretty perfect mix of death and doom with slow, foreboding riffs to begin with before sections of ripping speed and face melting solos appear as this is the track that most reminds me of that Incantation style. The best track for me was the epic "Three Years of Famine" which is the longest track on here at 7:38 and is unlike pretty much anything else on here and takes more inspiration from classic metal with some Maiden-esque solos and a melodic middle section that really reminded me of  "To Live is To Die" as it had a bit of elegance to it. The vocals are tremendous throughout the album as well with Martin Van Drunen sounded like an even more aggressive Jeff Becerra from Possessed and I can't help but love it. 

To really criticise anything on here would just be nitpicking on my end like how the second half doesn't hit as well as the first half but the first half was stellar so that was always gonna be difficult and the second half also has the title track and "Botox Implosion" to keep the whole thing as balanced as it can be. Really this is an all killer no filler album and might just be Asphyx's best since 1992 and that's saying something. If you like your death metal, this is one worth checking out and is my pick of the best of the year so far. 

For fans of: Possessed, Incantation, Necrot

Tracks to check out: Botox Implosion, Necroceros, Mount Skull, Three Years of Famine

And now onto the shorter recommendations:

Nervosa - Perpetual Chaos

Honestly the story of the making of the album is just as interesting as the album itself as guitarist Prika Amaral was left as the only member in April 2020 when all the others left, and then managed to find 3 new members for bass, vocals, and drums as they all met for the first time in the recording sessions from the album. That could have ended up being a trainwreck if no one was on the same page but they managed to bang out a damn fine thrash album so well done to all of them. Who knows what they'll be able to do once they're more familiar with each other and personally, I can't wait to see the results. 

If you're not into thrash then this probably won't change your mind but this is a solid as hell release with banger after banger coming through. It does run into some issues that most other thrash records do with some tracks blending together but there are enough highlights to recommend a look. Plus this is an all female band which is pretty damn rare for this genre and every member has a chance to show their stuff, particularly Eleni Nota who is tremendous on drums and vocalist Diva Satanica who reminded me of a much more aggressive Arch Enemy. Definitely worth a look. 

For fans of: Arch Enemy, Annihilation, Sacred Reich

Tracks to check out: Venomous, Blood Eagle, Under Ruins

Frozen Soul - Crypt of Ice

Spoiler: There are another couple of death metal releases because I guess January is now the month of death metal. The difference with all the other albums on here is that they have a history I can go into, but with Texas band Frozen Soul, they've only been formed since 2018 and this is their debut record so it's nice to have something brand new to go into. 

As far as the music goes it's pretty much standard death metal throughout but my god do some of these riffs just punch their way right to your very (Frozen) soul and hit you like the Titanic hit the iceberg. I do love that it has a theme of ice and cold throughout which is a pretty unique concept without it becoming a full on concept album so it's pretty cool (pun intended) in that regard. I'll stop with the ice jokes now I promise. 

Anyway the album is a nice and brisk 39 minutes so it doesn't outstay it's welcome at all and whilst a couple of tracks end up kind of forgettable, there are enough big hitters to go back to again and again. hell, I've even bought the vinyl copy already. And remember, this is only their first album so this is impressive for a first effort and I'll be looking with a cold gaze to see how they fare in the future.......Sorry 

For fans of: Gatecreeper, Necrot, Cannibal Corpse

Tracks to check out: Hand of Vengeance, Encased in Ice, Beat to Dust

Tribulation - Where the Gloom Becomes Sound

Not gonna lie, I almost put this as the feature album because it's so bloody good and even after multiple listens I feel like I need to digest it even more so who knows, maybe by the end of the year I'll end up liking this more than Asphyx. 

I was a big fan of the band's 2018 release "Down Below" as it brought this gothic tone to metal that felt unique at the time and they've continued that here with another great release. I did manage to see them play live last year and can confirm that they most definitely back up their sound on the stage. It's been said that the band is essentially a more aggressive version of Ghost and whilst that is a pretty basic way to describe them, it's not far off as I can imagine most of these tracks being recorded in a haunted mansion at the top of a steep hill. 

In terms of the tracks it's another case of all killer no filler with nothing standing out as band or even boring here, and as I say, I'm still listening to it over and over and finding new things to like. Can't wait til October when this one will really pop with the season.

For fans of: Ghost, Unto Others, Powerwolf

Tracks to Check Out: In Remembrance, Daughter of the Djinn, Funeral Pyre

Gatecreeper - An Unexpected Reality

I'm not sure if this is cheating because it's an EP, but fuck it, it's worth talking about. Gatecreeper are really coming into their own in the world of death metal with their 2019 release "Deserted" establishing them as a band to watch in the scene, and this new surprise EP shows that they have even more tricks up their sleeve. 

The EP is a very short 17 minutes but they use that time in spectacular fashion for what may end up being the EP of the year. There are 8 tracks in total with the first 7 all being either just over or under a minute long as it just hits you with an absolute barrage of rifftastic tunes in such a short amount of time before hitting you with the final track "Emptiness" which I think I can safely say is the band's new magnum opus. I'm pretty sure this is the longest track the band has ever recorded at just over 11 minutes and it's an absolute belter to show that the band is ready for their next step in their own evolution with an epic track filled with doom-laden riffs, foreboding bass sections, melodic sections and a brilliant final 2 minute finale for the cherry on top. I've listened to it so many times and I just can't become tired of it. 

I love the way they've made this EP and it just seems like a standout because of it. If you consider yourself a death metal fan then this is one you should check out immediately. I'm definitely getting the vinyl once it's released over here.

For fans of: Tomb Mold, Necrot, Blood Incantation

Tracks to check out: All of them

Thanks for reading today and let me know if there's any releases in February I shouldn't miss and let me know what other January metal albums were worth a look. I'll see next time I have more albums to recommend. 

Lockdown Reviews: Bring Me The Horizon - Post Human: Survival Horror

 

For anyone that's read any of my reviews for the past year or so with my many reviews for black and death metal, it might come as a surprise that I consider myself a fan of Bring Me The Horizon (I'm sure the metal elitists will be hammering on my front door in no time), or at least I used to be. 

I consider 2015's 'That's the Spirit' to be one of my favourite albums of all time and I even have quite an emotional connection to it, to the point where I even have the umbrella from the front cover tattooed on my left arm and I considered every album from 'Suicide Season' onwards to be a masterpiece in their own right. That was until March of last year when I took to reviewing the band's latest LP 'amo'. I'll leave a link here for anyone wanting to check it out: amo review

Long story short, I had mixed feelings on the album as it did go for much more mainstream and pop sound mixed in with the hard rock they'd been using on 'That's the Spirit' and it didn't always hit the way I wanted. I've mellowed out on the album since then and whilst I still need to skip a fair few tracks I don't enjoy, I still get a kick out of listening to it again and again. 

With this EP released on October 30th, I didn't even plan on listening to it nevermind reviewing it as I was worried about further disappointment with their musical evolution. Curiosity eventually got the better of me and I decided to check it out and HOLY SHIT I'm glad I did. This is EP has totally turned be back into a fan of the band and I've spent the last while binging their albums again. So just how good is it? Well let's take a look. 

Right from the start I was pretty much hooked with the opener 'Dear Diary' which might be the band's heaviest track since the days of "There is a Hell" and whilst it's a short one, there's so much about it I love. The sheer ferocity of Oli's vocals (the scream is back!) along with a near death metal level of fury including a soaring guitar solo and even a catchy chorus it does so much in it's short time. There's even a killer breakdown at the end. The EP could have ended here and I would have been happy. I also love the lyrics as it's obvious that survival horror games were an influence with some of the words even taken right from passages from the very first Resident Evil game which I did enjoy as a fan, and this mixing with the claustrophobia of being stuck in lockdown works perfectly. Phenomenal start. 

Next up we have one of the first singles with 'Parasite Eve' that came out all the way back in June and was pretty much a sign of things to come. This was the first hint that the band may be going back to a heavier sound whilst keeping intact their evolution by including electronics. There's even a choir at the beginning making me think of the Japanese survival horror games 'Fatal Frame' keeping that theme going. Hell, the song's even named after a survival horror game itself. Anyway this is a song that may end up being divisive but I dig the hell out of it with another catchy as hell chorus and provides a bit of elation for the lockdown period. Although with the lyric "When we forget the infection, will we remember the lesson", I can confirm that no we will not. Too many dumbasses on this planet. 

Next track was 'Teardrops' and before I'd even heard this song, I'd heard people comparing it to Linkin Park so I wasn't sure what to expect. Turns out I didn't have anything to worry about as it does sound like Linkin Park but more like Linkin Park in between 'Hybrid Theory' and 'Meteora' so that's all good in my book with the more melodic moments mixing very well with the heavier sections. The track is all about how the current generation is becoming more addicted to technology and even some references to Oli Syke's battle with depression leading to some emotional vocals from him that really kept me hooked. Another winner as this EP is on a role so far. 

'Obey' is next and I have no idea who 'Yungblud' is as he's a vocalist guest featuring on this track. He did well enough here even though I have no desire to actually find out anymore about him. This was another single released and references oppression and corruption from current governments. Don't worry Oli, Trump is out now so now we just need rid of the Tories and we're all good to go. I have to ask where all this attitude was on 'amo' though. It was sorely missed. Another big banger of a track with another massive chorus that I'd love to hear in a live setting but we're still a while off from that. 

"Itch for the Cure" (another Linkin Park reference?) works as a nice intro to what might just be the best track on the album: "Kingslayer". This track also features work from Babymetal and whilst I've never really been into them myself, after listening to this I'm tempted to give them another go. This track is just completely mental and almost goes full cheese at points but manages to hold back. Those electronics mixed with those massive riffs just go together so well and Oli's heavy, growling vocals mixing with the innocent vocals of Babymetal was hilariously awesome. Bring Me almost went full power metal and it was a wonder to behold. I need to hear this on a dance floor at some point in the future. 

'1x1' featuring the Nova Twins (?) and 'Ludens' are the next tracks but this is when I started to come down on the album just a tad. '1x1' is a fine track with yet another good chorus but it can't really match or follow some of the tracks that came before. 'Ludens' I'd already heard back when it was released as a tracks for the Playstation 4 game 'Death Stranding' and I wasn't a big fan of it. I like it a bit more now after a few listens but in my opinion it only really becomes interesting in it's last couple of minutes when the heavier guitars kick in. It's a decent rock track.

Thankfully the EP ends on a high note with the huge name of 'One Day the Only Butterflies Left Will Be in Your Chest as You March Towards Your Death' which features the very talented Amy Lee from Evanescence. This might be the only proper ballad Bring Me have ever recorded and Amy's vocals do bring a level of class to the track and Oli's vocals work well and he isn't overshadowed of Amy at all. A nice different track from the band and whilst I think it was missing a big spine-tingling moment you would hope for in a track like this, it was still damn good while it lasted and built to a lovely crescendo. 

My biggest argument against 'amo' was that the band was trying too hard and too much to sound different from their past selves, but here they've kept true to their older sound whilst embracing new ideas that enhance their sound in many places. Whilst not every track was an absolute killer, there was plenty to enjoy here and I can only hope their next full length album is as good as this. I'm so happy to say that Bring Me The Horizon are back and as good as they've been in years. This is the nicest surprise 2020 has hit me with so far. 

Lockdown Reviews: Pallbearer - Forgotten Days

 

Whilst I've been planning out which albums I want to review to keep me busy as the world continues to stand still, this is one I didn't initially plan to work on until I gave it a listen after a friendly recommendation and felt it was worth talking about as in depth as I could. 

Truthfully whilst 2020 has been a shitty year overall, it's also been a pretty meh year for album releases as well. By this time last year I had a good idea of how my top albums of the year was looking, but this year it's pretty much slim pickings and part of the blame lays squarely on myself as I've lost a ton of motivation to listen to new releases with the stress of the lockdown taking over until now where I'm trying to listen to as much as I can. 

Thankfully this album came along and it's the first album to give me similar feelings I had with my pick for album of the year for 2019 with Swallow the Sun's latest release as this was one of the first this year to get any real emotion out of me in a similar vein. This is the first time I've actually checked out Pallbearer, an American doom metal band bringing out their fourth studio album: Forgotten Days. Hell, I've even bought the vinyl already.

They have dropped a bit of their doomy sound as while there is a doom core here for the most part, the band does add elements of prog and even a bit of grunge to their sound as they feel almost like a cross between Electric Wizard and Mastodon at times. This is one of those albums that's meant for late night listening with rain softly hitting the windows whilst you read the lyrics at the same time to really have the proper effect. It's far from a chill album and yet still has a smooth as hell feel to it all. 

The album starts off strong with the title track and already we have a pretty emotional track with the lyrics describing a person slowly being overtaken with dementia as their mind fades away to nothingness. As in similar fashion to the rest of the album, the clean vocals mix well with the heavier instrumental sections which does bring that Mastodon comparison. It's definitely one of the doomier tracks on here without ever going a repetitive route and keeping things fresh through it's near 7 minute runtime. The band likes to add in melodic guitar sections and it's usual a real standout moment when they hit out of nowhere. Great opener to set the tone. 

"Riverbed" is a great follow up track as well with nice little guitar solo at the start to set it apart from the previous track. As the song goes in I did adore the quiet atmospheric moment before the big chorus hit to really emphasis the sheer size of it. There's also some great vocal work with vocalist Brett Campbell hitting the high notes in impressive fashion. Doesn't hurt to have some chunky riffs in there too. 

The biggest highlight for me though was easily 'Silver Wings' which is the longest track on the album by far with it going over 12 minutes and didn't waste a second of it. It just built and built as it went on and the last few minutes with only instrumentals I can only describe as breath-taking with some fantastic, emotional guitar work pulled off here to give me goosebumps every time I hear it and the orchestral backing definitely helps as well. Trust me when I say this is one you should check out. 

Another of my favourites on here was the album closer "Caledonia" (thankfully not a cover) as I can't help but have a bit of Scottish pride here with the title. It almost starts like it's gonna be a massive power ballad and it's a bit of a relief that it never does as this is one of the doomiest tracks on offer and adds a bit of grunge to it's slower riffs as well. The bass does have a chance to show off here in the quieter moments. A very different track to the rest of the album and a great way to close it in my opinion. 

Overall this is a pretty damn great album with no real low points for me at all with every track bringing something to the table whether it be the doomy closer or the one-two punch of "Quicksand of Existing" and "Vengeance & Ruination" bringing the fire after a 12 minute epic, it always had me interested and for a doom album over 50 minutes long I'd say that's impressive. The only skippable track I found was maybe "Stasis" but even then it's not a bad track at all, just doesn't hit as hard as the others. 

It's definitely one that demands more that one listen to catch things you missed the first time around whether it be the subtle bass work woven throughout or the orchestral moments that arrive when needed most. It's an easy recommendation from me and one I'm sure that will pop up in my year end list. 

Tracks to check out: Forgotten Days, Silver Wings, The Quicksand of Existing, Caledonia

Album review: Hellripper - The Affair of the Poisons

 

It’s been a while hasn’t it? I had planned on taking a break from writing whilst the world of gigs remains in flux and the world of new music remains a tad stale with a much lower output of releases due to the bastard known as Covid-19, but since there’s pretty much fuck all to do around here now, I decided that to keep my spirits up, I needed to keep talking about my favourite thing: heavy fucking metal.

I’m gonna try and do as many new releases as I possibly can to highlight bands that I think deserve it with releases from this year and maybe even some nostalgic ones here and there to keep things fresh. To start with I think I found a new possible contender for my favourite album of the year…..

Hellripper is a blackened thrash metal band (my two favourite genres rolled into one, YAY!!) from the Scottish Highlands and amazingly is pretty much orchestrated by one guy in James McBain in a similar vein to America’s blackened rockers Midnight. Affair of the Poisons is the second full length release from the band after their 2017 debut Coagulating Darkness.

This is the first time I’ve checked the band out after a recommendation and I’m glad I decided to lie in bed at midnight listening to it at full blast when I had nothing better to do. Not in a bad way, but this isn’t an album I can really go in depth with as I would end up repeating myself quite a bit. It’s not a repetitive album at all but the band sticks to what they know throughout the quick 29 minute runtime without too many changes, not that I was asking for any because this stuff rattled my damn brain in the best way.

For an idea of the sound, imagine Metallica’s 1983 classic Kill ‘Em All but with an extreme and satanic edge to it with vocals sounding like a young, possessed by a demon James Hetfield as he snarls out the lyrics like a goddamn monster. The sound is defiitely influenced by early 80s thrash and speed metal especially with tracks like the brilliant ‘Vampire’s Grave’ that sounds like a mixed Motorhead and Metallica track thrown into a black metal blender.

I feel like the band knew there would be comparisons to Kill ‘Em All and threw in some throwbacks like the opening riff to ‘Spectres of the Blood Moon Sabbath’ which would fit on that album perfectly, and the shout of “alright!” at the opening of Vampire’s Grave sounds just like James Hetfield before ‘Seek and Destroy’ really kicks in.

I do love the opening title track as well with an almost deliberately slow pace to open with to lull the listener into a false sense of security before exploding into high speed thrash without ever really taking their foot off the peddle for the rest of the record and I’m happy that’s the case. Whilst there isn’t a bad track on here at all some more of the highlights do come towards the end of the album like the fantastically titled ‘Blood Orgy of the She Devils’ with a twin guitar solo that would make Iron Maiden jealous and a catchy chorus to boot. I also love the final track ‘The Hanging Tree’ which comes the closest to feeling like core black metal before we hit the one minute mark and the thrash comes again to send us home happy and even gives us a nice melodic outro out of nowhere for a proper full stop.

Overall I loved this album as it’s a great throwback to the glory days of early thrash whilst managing to keep a fresh sound that makes way for a bright future. It helps that the album is only 29 minutes so never outstays it’s welcome at all and can be played over and over again to keep the adrenaline going. This is an album that begs to be played live and I can only hope I get the chance to in the future. Check them out for sure.

Tracks to check out: Spectres of the Blood Moon Sabbath, Vampire’s Grave, Blood Orgy of the She Devils, The Hanging Tree

Iron Maiden: Killers

A word of warning before I start, I may overuse the term 'underrated gem' here and I apologise in advance for this.

As I said in my review of Maiden's self-titled debut (link here) I would be looking into each one of Maiden's studio releases and now we look into their sophomore effort, always a testing time for any band especially after a debut as good as theirs.

There's been a bit of a lineup up change since we last heard from our heroes as Dennis Stratton is out and Adrian Smith is in on guitar. Adrian is still a member of the band to this day but he did leave at one point which we'll get to in a future album review. This would also mark the last album recorded with vocalist Paul Di'Anno before he was fired due to drug and alcohol issues causing problems with his stage performance and we'll get to his replacement soon enough. According to Paul, he wanted to leave the band due to missing home and needing a break from the tour schedule so believe who you like.

This was also the first album produced by Martin Birch who would remain with the band until 1992 and you can already hear the improvements from the last record as the instruments are so much clearer than before, and Martin was smart to keep the vocals sounding similar to the last album as Paul's raspy, punk rock voice is once again a highlight and making it any clearer would have ruined it in my opinion.

Killers was released onto the world on February 2nd 1981 and ended up being the album that made them a big deal in America and Japan whilst also growing their fanbase at home in Britain. The artwork is quite simply gorgeous and is one of my favourites that the band has ever released, showing beloved mascot Eddie with a sadistic grin on his face after cutting down a victim in the middle of the night. Yeah this is one you're going to want to get on a t-shirt.

Just like the last review I'll be looking at the vinyl album version which is the same as the ones that can be found on streaming sites like Spotify and Amazon Music as it features the original 10 songs, so no 'Twilight Zone' here unfortunately.

So how did this release match up with their spectacular debut? Let's take a look.

The first song is strangely quite a well covered song despite being an instrumental track that only lasts about a minute and a half but bands like Arch Enemy have featured this on recent releases so it must have had a bit of an impact. 'The Ides of March' is a cracking start to the album and really builds up your expectations as to what's coming next and sure enough we're greeted with the Maiden classic 'Wrathchild'. This is one of the bands shortest ever songs clocking in at just under 3 minutes, but it definitely leaves an impact in that short amount of time. Right away you're hit by Steve Harris's bounding bassline before a guitar riff comes in out of nowhere to tear your face off before Paul's harsh vocals appear to sing about a boy looking for his estranged father in a quest for vengeance. This is how you start a Maiden album off right and it's no wonder why this is still a track that is played live to this day and I've had the luck of being able to experience it in person.

Next up we have 'Murders in the Rue Morgue' and my isn't this an underrated gem of a song. It sounds like it could have been a backup opener for the record with it's slow, atmospheric start before bursting out like an Alien from John Hurt and hitting a fast and furious verse that could quite easily cause a rare Maiden mosh pit if they wanted. This is a song they haven't played live since around 1982 and I really with they would because it would be such a set highlight due to how much energy there is here. The song follows a man that has discovered two butchered girls by the side of the road, and as he's the only person there, the police believe he's responsible and he runs away from a crime he didn't commit. Fun stuff that would be continued later on.

Next up is 'Another Life' and I'm sorry but this is another underrated gem from the band and another one I'd love to hear played live again. The song starts with a great little drumming intro to really show off the skills of Clive Burr before another awesome guitar riff keeps your attention. The song only has three repeated verses with no chorus but it still has a fascinating little story here as a man is lying in bed, going insane with voices running through his head and contemplates suicide. Great little track here.

Up next is another instrumental track called 'Genghis Khan' following in the vein of  'Transylvania' from their last album. I'd say it's a slight step down as this new one isn't nearly as memorable as the old one, but it's not bad at all. I mean it's a galloping Iron Maiden with more great guitar work so you can't really go wrong.

'Innocent Exile' is the next track and follows on from 'Rue Morgue' earlier in the album as we continue with our framed protagonist as he continues to run away from the law for a crime he had nothing to do with. While not as energetic as it's predecessor, this is still a good little track that can be filed under the 'underrated' songs. It keeps the flow of the album going well and onto the title track which is probably my favourite of the entire record. This track is just so good and those twin guitars before the verse are just heavenly. This song was made for Paul Di'Anno to sing and it's one he continued to play even after leaving the band. The song follows a madman stalking the underground and killing anyone he comes by. I'm starting to see a theme with this album. The guitar work here is just fantastic and you could see how Adrian Smith and Dave Murray would become as legendary as they did with their dual axe attack. Just terrific and highly recommended if you haven't heard it already.

The next two tracks are 'Prodigal Son' and 'Purgatory' that have always just came across as filler tracks to me. Don't get me wrong they aren't bad songs in the slightest and they certainly have their moments, but 'Prodigal Son' sounds like they were trying to redo 'Remember Tomorrow' from their first album and it didn't work out quite as well. Outside of a damn fine chorus and some great guitar work 'Purgatory' doesn't have much else going for it and becomes a bit forgettable. I'm sure there are some people that consider these two to be underrated gems themselves but I'm not one of them.

Finally we end the album with 'Drifter' and this is definitely an album highlight and the best note to end proceedings on. This is yet another one that could make a comeback in their live set and it would blow everyone away. After all the murder on all the previous songs, this one is more about a band on the road singing their songs so it does stand out a bit due to that and just due to how much fun it is. The instrumental sections are especially good after the first chorus with guitar and bass just working so smoothly together that you can't help but tap your foot along. A great ending to a great album.

Overall I had a blast reliving this album as I always forget how good it is. It's always been considered their most underrated by their fans and while it does rank as the weakest of their 1980s output (which is freaking mindblowing) it's album definitely worth checking out for some songs that deserve a second look. While it might not be as good as their first release, it was still one hell of a way to follow it up and things would only get better from there.